"A moving picture," said William Faulkner, "is by its nature a collaboration, and any collaboration is compromise, because that is what the word means — to give and take." True enough for Faulkner, whose moonlight job in Hollywood, though he worked on some Howard Hawks classics, required his craftsmanship but not his genius. And there is truth enough in the observation to apply it more generally to novelists in the movies.
Sunday, 4 March 2012
Perspective: Bela Tarr and Laszlo Krasznahorkai's artful pairing
'The Turin Horse' is the fifth and probably final feature for the director and the novelist.
"A moving picture," said William Faulkner, "is by its nature a collaboration, and any collaboration is compromise, because that is what the word means — to give and take." True enough for Faulkner, whose moonlight job in Hollywood, though he worked on some Howard Hawks classics, required his craftsmanship but not his genius. And there is truth enough in the observation to apply it more generally to novelists in the movies.
"A moving picture," said William Faulkner, "is by its nature a collaboration, and any collaboration is compromise, because that is what the word means — to give and take." True enough for Faulkner, whose moonlight job in Hollywood, though he worked on some Howard Hawks classics, required his craftsmanship but not his genius. And there is truth enough in the observation to apply it more generally to novelists in the movies.
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